This is the first major writing assignment students are asked to complete in American Studies, which is a junior-year elective course which combines the study of American Literature with the study of American History. It is also a CT course, and the goal of this assignment is to provide students with the chance to practice particular CT skills within the context of an investigation of a classic text.
Length: 3-5 pages typed, double-spaced, polished,
proofread, and documented with evidence from The Scarlet
Letter.
Format: a thesis paper with a title, introduction, clearly
stated argument, proof, and concluding paragraph. Page numbers of
quotations should be in parentheses in the text.
Goal: To analyze a significant character in The Scarlet Letter
(Hester, Dimmesdale, Chillingworth, or Pearl) using the following
critical thinking strategies: formulating questions, framing a
hypothesis, collecting data, drawing inferences, reaching
conclusions.
Some Preliminary Thoughts:
In life, and in good fiction, things happen largely because
individuals have unique personalities and characters, and, given
their natures, because they respond in a particular way (sometimes
predictably, sometimes unpredictably) to other personalities. For
most readers, a sense of pleasurable anticipation is created by the
writer allowing us to watch him/her sketch out, color in, and finally
complete a series of portraits, ultimately revealing a coherent and
credible picture of men and women in "action." In this sense, as one
critic has noted, "plot and character are inseparable. Plot is not
simply a series of happenings, but happenings that come out of
character, that reveal character, and that influence character." Or
as the Greeks believed: "character is fate."
(1) what the character SAYS about his/her situation or beliefs
(2) what the character DOES about his/her situation or beliefs
(3) what other characters SAY about the character or to the character
(4) what other characters DO about or to the character
(5) what (if available) the character THINKS
Stage Two: Look for patterns of INCONSISTENCY, and to pose
the QUESTIONS that logically follow. If, for example, you note that
the character's actions are inconsistent with his beliefs, you might
then want to ask: (1) in what situation is this inconsistency
displayed? (2) is the character aware of the inconsistency? (3) are
other characters aware? (3) is the character motivated by fear,
anger, self-protection, protection of others, desperation, etc.? (4)
does the inconsistency create any significant consequences?
Stage Three: Formulate of a HYPOTHESIS to account for the
pattern or patterns you have observed. (Example: Hester says she has
learned her lesson and is daily reminded of her sin, but she
decorates the "A" elaborately and dresses Pearl in bright,
embroidered clothing that catches the attention of everyone.
HYPOTHESIS: Hester is not really sorry for her sin; she is prideful
and defiant.
Stage Four: Collect data. What evidence can you find in the
text that would help you to "test" your hypothesis? Look at language
and style (diction, imagery, metaphor, tone) as well as event and
situation.
When your hypothesis is thoroughly tested, you are ready to begin
formulating a thesis. This will be a combination of your
tested hypothesis and your conclusions about its SIGNIFICANCE.
(Example: "Hester's secret defiance of the puritan code is more
effective at undermining the system than an open rebellion would be.
Silently, she makes the community lose confidence in its most basic
laws and beliefs.")
The most important thing to keep in mind about your thesis is that it
is the END of a process of investigation, even though it is stated at
the BEGINNING of your essay. The essay itself is an explanation of
the PROCESS you went through to ARRIVE at the CONCLUSION stated in
your thesis.